Description
Green Goblin is the alias of several supervillains appearing in comic books published by Marvel Comics. The first and best-known incarnation Norman Osborn, created by Stan Lee and Steve Ditko, is generally regarded as one of the archenemies of the superhero Spider-Man, along with Doctor Octopus and Venom. Originally a manifestation of chemically induced insanity, others such as Harry Osborn would take on the persona. The Green Goblin is a Halloween-themed supervillain whose weapons resemble bats, ghosts, and jack-o’-lanterns and in most incarnations uses a hoverboard or glider to fly.
Green Goblin has appeared in numerous media adaptations of Spider-Man over the years, including films, animated television series, and video games. Norman and Harry Osborn were portrayed by Willem Dafoe and James Franco in Sam Raimi’s Spider-Man film trilogy (2002–2007), and by Chris Cooper and Dane DeHaan in the film The Amazing Spider-Man 2 (2014). Dafoe reprised his role as Norman Osborn in the Marvel Cinematic Universe (MCU) film Spider-Man: No Way Home (2021) which used the concept of the multiverse to link The Raimi trilogy to the MCU.
Nelson Alexander Ross (born January 22, 1970) is an American comic book writer and artist known primarily for his painted interiors, covers, and design work. He first became known with the 1994 miniseries Marvels, on which he collaborated with writer Kurt Busiek for Marvel Comics. He has since done a variety of projects for both Marvel and DC Comics, such as the 1996 miniseries Kingdom Come, which Ross co-wrote. Since then he has done covers and character designs for Busiek’s series Astro City, and various projects for Dynamite Entertainment.
His feature film work includes concept and narrative art for Spider-Man and Spider-Man 2, and DVD packaging art for the M. Night Shyamalan film Unbreakable. He has done covers for TV Guide, promotional artwork for the Academy Awards, posters and packaging design for video games, and his renditions of superheroes have been merchandised as action figures.
Ross’s style, which usually employs a combination of gouache and wash, has been said to exhibit “a Norman-Rockwell-meets-George-Pérez vibe”, and has been praised for its realistic, human depictions of classic comic book characters. His rendering style, his attention to detail, and the perceived tendency of his characters to be depicted staring off into the distance in cover images has been satirized in Mad magazine.
Near mint condition. Ships folded.
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