Captain America + The Falcon: Nomad TP 1st print Cap vs Gov Corruption! NM

Description

Captain America and the Falcon Nomad Paperback
Written by STEVE ENGLEHART and JOHN WARNER
Art by SAL BUSCEMA, FRANK ROBBINS, and HERB TRIMPE
Cover by GIL KANE

Disillusioned by government corruption, Steve Rogers lays down uniform and shield – but it’s not as easy to set aside half a lifetime of heroics, so a new legend is born: Nomad, the man without a country? But who will take up the forsaken red-white-and-blue, and what will it cost him to hold onto it? Boss Morgan, the Viper and the Red Skull are on hand with enough villainy for any hero, old or new! Plus: the origin of the Falcon! Guest-starring Nick Fury and the agents of S.H.I.E.L.D.! Softcover, 192 pages, full color.

1st printing. Collects Captain America (1968-1996 1st Series) #177-186.

Great Captain America storyline. Loved the Nomad, and how Steve Rogers finds himself forced to face the fact that he is the one, true Captain America. Steve Englehart was most definitely the best writer for Captain America and here’s why.

It’s fascinating to watch Steve Rogers’ psychology as he transforms from Captain America into “Nomad,” and what that means for him — not just his struggles with his concept of America, but his internal struggles to become something that isn’t what’s expected of him, to be free and able to try new things for the first time since his adolescence.

Captain America does a good job of struggling with his disillusionment and need to be a hero. Falcon also does a good job of wanting Cap to be Cap but not wanting to be a sidekick.

Created by Joe Simon & Jack Kirby in an era of frantic patriotic fervor, Captain America was a dynamic and highly visible response to the horrors of Nazism and the threat of Liberty’s loss.

He faded away during the post-war reconstruction but briefly reappeared after the Korean War: a harder, darker sentinel ferreting out monsters, subversives and the “commies” who lurked under every brave American kid’s bed. Then he vanished once more until the burgeoning Marvel Age resurrected him just in time for the turbulent, culturally divisive 1960s. Perhaps it’s just coincidence but at the time the USA were just getting heavily involved in a conflict in Southeast Asia…

This startling paperback and eBook collection reprints issues #177-186 (spanning September 1974 – June 1975) of the monthly comicbook and shows the previously steadfast Sentinel of Liberty as a troubled and disillusioned man: unhappy, uncomfortable and unable to bear the weight of being a national symbol of a divided nation that had been betrayed and subverted by its highest elected officials.

At this time America was a nation reeling from mass culture shock caused by Vietnam, the Watergate scandal and the humiliating exposure of President Nixon’s crimes. The widespread loss of idealism and painful public revelations that politicians are generally unpleasant – and even possibly ruthlessly wicked exploiters – kicked the props out of most Americans who had an incomprehensibly rosy view of their leaders, so a conspiracy that reached into the halls and backrooms of government was extremely controversial yet oddly attractive in those distant, simpler days…

Sickened, shocked and stunned at the poisoned American Dream – and despite the arguments and advice of his Avenging allies – Steve Rogers searched his soul and realised he could not be the symbol of such a country. He threw off the costume and rank to wander the country bereft of ideals or direction…

Unable to convince him otherwise his crimefighting partner Sam Wilson carried on alone, as the high-flying Falcon tackles an invasion by a body-snatching alien X-Men foe – in conjunction with earthly villain Aries – in ‘Lucifer be thy Name’ (scripted by Steve Englehart and illustrated by Sal Buscema & Vince Colletta).

The double-dealing devils are promptly wrapped up in ‘If the Falcon Should Fall…!’ when Steve, unable to keep aloof, resorts to type and heroically piles in to the final showdown…

Whilst the dejected civilian settles into an uncomfortable self-inflicted retirement, in his costumed absence a few painfully unqualified civilians begin trying to fill the crimson boots of Captain America… with dire results…

Captain America and the Falcon #179 sees Rogers hunted by a mysterious Golden Archer whose ‘Slings and Arrows!’ soon convince the ex-hero that even if he can’t be the Star-Spangled Avenger, neither can he abandon the vocation of do-gooder. This moment of revelation leads to a life-changing decision and ‘The Coming of the Nomad!’ in #180, even as the Serpent Squad turn up again with morally ambivalent Princess Python in tow and maniac nihilist Madame Hydra assuming the suddenly-vacant role of the Viper.

When “the Man Without a Country” tackles the ophidian outlaws, he comes off second best but does stumble across a sinister scheme by the Squad and Sub-Mariner’s arch-nemesis Warlord Krang. The marine malcontent plans to raise a sunken continent and restore an ancient evil-drenched civilisation in ‘The Mark of Madness!’…

At the same time Falcon is ignoring his better judgement: agreeing to train a determined young man to become the next Captain America…

An era ended when Sal Buscema surrendered Captain America and newspaper-strip creator Frank Robbins came aboard for a controversial run beginning with ‘Inferno!’ (inked by Joe Giella). Whilst Nomad successfully mops up the Serpent Squad – despite well-meaning police interference – Sam and Cap’s youthful substitute had encounter the Sentinel of Liberty’s greatest enemy with fatal consequences…

Inked by Frank Giacoia, ‘Nomad: No More!’ finds a grief-stricken, guilt-crushed Rogers once more take up his stars and stripes as the murderous Red Skull simultaneously attacks the hero’s loved ones and destabilising America’s economy by defiling banks and slaughtering the financial wizards who run them…

Beginning in the chillingly evocative ‘Cap’s Back!’ (with art by Herb Trimpe, Giacoia & Mike Esposito), rampaging through the utterly shocking ‘Scream of the Scarlet Skull!’ (Buscema, Robbins & Giacoia) and climaxing in ‘Mindcage!’ (with additional scripting from John Warner and art by Robbins & Esposito) the inimitable Sentinel of Liberty takes the fight to freedom’s greatest foe.

Tragically, despite driving the Skull off, Steve is stymied and frustrated when his greatest friend and ally is apparently revealed as the Skull’s stooge and sleeper-agent slave…

And on that staggering cliffhanger note this epic collection concludes…

To Be Continued…

Despite the odd cringe-worthy moment (for example, I specifically omitted the part where Nomad battles three chicken-themed crooks, and still wince at some from this era of “blacksploitation” and burgeoning ethnic awareness), these tales of matchless courage and indomitable heroism are fast-paced, action-packed, totally engrossing fights ‘n’ tights that no comics fan will care to miss: fabulously fun tales of a true American Dreamer…

Moreover, and all joking aside, the cultural significance of these tales were crucial in informing the consciences of the youngest members of the post-Watergate generation and could even stand as a warning from history in regard to the current polarising party-political shenanigans besetting the hotly-contested, gerrymandered Land of the Free and over-mortgaged Home of the Brave…

Collects Captain America 177-186. Near mint, 1st print.