Batman Year One TP NM Frank Miller David Mazzucchelli Catwoman 1st printing 1988

Description

Batman Year One TPB (1988 DC Edition) #1-1ST

Published Oct 1988 by DC.

1st printing. Collects Batman #404-407. Written by Frank Miller. Art by David Mazzucchelli and Richmond Lewis. Featuring the early days of Batman by the man who brought you his last. A 25-year-old Bruce Wayne returns to Gotham after 12 years abroad, while Lieutenant James Gordon joins a corrupt Gotham police force. Bruce Wayne dons the cape and cowl for the first time to take the fight to the criminal element. Harvey Dent appears as Assistant District Attorney and Selina Kyle becomes Catwoman. Softcover, 96 pages, full color. Cover price $9.95.

In 1986, Frank Miller and David Mazzucchelli produced this groundbreaking reinterpretation of the origin of Batman — who he is and how he came to be.

Written shortly after THE DARK KNIGHT RETURNS, Miller’s dystopian fable of Batman’s final days, Year One set the stage for a new vision of a legendary character.

Batman: Year One is the story of Batman’s first year in Gotham City after returning from training abroad, making it the perfect book for someone unfamiliar with Batman’s origins, or just looking for a fresh take on the classic story. But the book is as much about the origins of Jim Gordon, who will later become the famed police commissioner of Gotham City, as it is about Batman’s beginning. The story hinges on Gordon’s attempts to clean up a police force that is corrupt to its very core, and his encounters with the Batman that finally lead up to a climactic confrontation that brings both men together in their fight against crime.

The artwork in the story is very good. I really like David Mazzuccelli’s style. He’s really not entirely different from Miller himself in that his artwork isn’t terribly elaborate, but is supremely effective in telling a story. Mazzuccelli really has a strength when it comes to facial expressions. You can really see how the characters feel by the looks on their faces, particularly in the more emotional spots of the book. The backgrounds and characters are beautiful, though, and the colors are very nice and vivid. The artwork brilliantly aids in telling the dark story of Batman’s birth and Gordon’s struggles.

The storyline is nothing short of superb as well. I’ve held Frank Miller in high regard ever since reading “The Dark Knight Returns”, and this book is written in a very similar style. You can tell that Miller really likes using internal monologues to convey the thoughts and feelings of the characters, and they are very effective and give the story a depth that other comics don’t have. The story progresses logically and is very readable. It’s a great retelling of the familiar story of Batman’s beginning infused with an almost literary style.

Miller is an expert at characterization. I was amazed at how much depth and likeability he could give even minor characters. A character that I found myself sympathizing with and surprisingly liking is Gordon’s wife Barbara. With only powerful artwork and a few lines, I felt that she was portrayed very powerfully and believably, making her a great character that further enhances the personality and depth of Gordon. You can tell that Miller really likes Jim Gordon, as he is given more characterization than anyone else in the story. I really felt connected to the character by the end of the story, because he is so remarkably human, and not totally unlike myself. He makes mistakes, but he is in the end a good person, and I think this is what makes him so appealing, perhaps even more than Batman himself. This is not to say that the characterization of Batman is lacking in the story; quite the contrary, in fact. Bruce Wayne is also portrayed as a man who has his fair share of problems that he is trying to overcome in his never-ending fight to purge Gotham of corruption. The deep characterizations are what really make this book shine.

The only gripe I have with the storyline and characterizations is a subplot involving Catwoman in the story. While she is brilliantly portrayed, I ended up feeling as if her role in the story didn’t have much meaning other than to set her up as a potential romantic interest of Batman in the future as well as a recognized rogue and thief. But her actions have relatively little bearing on where the story goes. The subplot is still enjoyable, and in the end it doesn’t detract from the overall greatness of the storyline.

Some may be disappointed by the utter lack of classic Batman villains in the story. There is no Joker, no Two-Face, no Riddler, no Scarecrow, no one. Instead, Batman fights criminals that don’t seem very different from the ones we find in real life. He is combating thugs and the corruption at the heart of the Gotham City: the politicians and police officers that are on the take and are part of the problem instead of the solution. I felt this gave the comic more credibility, but some will undoubtedly be disappointed that Batman isn’t fighting one of his famous and colorful enemies. In fact, the only mention of one such villain in the entire book is in the very last panel on the very last page of the very last chapter.

This graphic novel is definitely a must-have for Batman fanatics, and I would heartily recommend it to people who are new to the world of Batman. After all, what better way is there to get into the world of the Dark Knight than by reading the story of where it all began?

0930289-33-1

Near mint condition. 1st print.